News Archive: September 2005
This is an archive of news articles from September 2005. Current news articles can be found here and an archive index can be found here. Information in this archive may no longer be valid.
Specification: Jrlunde Kirke | |||
Hovedvrk | Svellevrk | ||
Gedakt Principal Traversfljte Tectus Octav Fljte Octav Mixtur III1 1/3' Trompet |
16' (Wood) 8' 8' (Harmonic from f') 8' (Wood, old) 4' (old) 4' (Wood, old) 2' 1 1/3' (19.22.26) 8' |
Rrfljte Fugara Vox Angelica Gemshorn Schweizerfljte Nasat1 1/3' Cornet IV Oboe Tremulant |
8' 8' (old) 8' (Tenor C) 4' 2' 1 1/3' 4' (8.12.15.17) 8' |
Pedalvrk | |||
Subbas Principalbas Bordun Octav Fljte Basun Octav-basun |
16' (Wood) 8' (from Great) 8' (ext. Subbas) 4' (from Great) 4' (from Great) 16' (Wood) 8' (ext. Basun) |
Stops marked "old" are by Demant and date from 1870. Tectus is an old name for a Gedakt. |
Jrlunde Kirke, © Frederik Magle. Click on either picture for a bigger version
Specification: Denmark's Radio Concert Hall | |||||
Grand-Orgue | Positif Expressif | Pdale | |||
Principal Bourdon Montre Principal Flte harmonique Bourdon Viole de Gambe Grande Sesquialtera Prestant Flte traversire Quinte2 2/3' Septime2 2/7' Doublette Neuvime1 7/9' Cornet Fourniture Bombarde Trompette Clairon |
16' 16' 8' 8' 8' 8' 8' II (5.10) 4' 4' 2 2/3' 2 2/7' 2' 1 7/9' III-IV (12.15.17) VI (2') 16' 8' 4' |
Flte Principal Flte traversire Quintaton Flte chemine Salicional Unda Maris Prestant Cor de chamois Quinte 2 2/3' Flte bec Tierce 1 3/5' Larigot 1 1/3' Septime 1 1/7' Plein-jeu Cor Anglais Cor d'harmonie Clarinette Tremolo |
16' 8' 8' 8' 8' 8' 8' 4' 4' 2 2/3' 2' 1 3/5' 1 1/3' 1 1/7' V (1') 16' 8' 8' |
Contre Bourdon Montre Flte Basse Violon Soubasse Basse d'cho Grande Quinte Octave Flte Violoncelle Bourdon Grande Tierce 6 2/5' Quinte 5 1/3' Septime 4 4/7' Flte Neuvime 3 5/9' Cornet Mixture Contre Bombarde Bombarde Basson Trompette Baryton Clairon |
32' 16' 16' 16' 16' 16' 10 2/3' 8' 8' 8' 8' 6 2/5' 5 1/3' 4 4/7' 4' 3 5/9' IV (19.22.24.26) V (15.19.22.29.33) 32' 16' 16' 8' 8' 4' |
Rcit Expressif | Accessories | ||||
Bourdon d'amour Violoncelle Flte harmonique Gambe Voix cleste Bourdon Prestant Fugara Flte octaviante Nasard 2 2/3' Octavin Carillon Harmonia aetheria Bombarde Trompette harmonique Basson-Hautbois Voix humaine Clairon harmonique Tremolo |
16' 8' 8' 8' 8' 8' 4' 4' 4' 2 2/3' 2' II (17.22) III-VIII (2') 16' 8' 8' 8' 4' |
Octave Graves to I and III II to I (16' and 8') III to I (16' and 8') IV to I III to II (16' and 8') IV to II IV to III All manuals to pedal, plus I and III to pedal at 4' pitch. Melody couplers: II-I (Alto) and IV-I (Soprano) | |||
Solo Expressif | |||||
Stentorfon Solo Gambe Grosse Flte Flte octaviante Nasard harmonique 2 2/3' Octavin Tierce harmonique 1 3/5' Piccolo harmonique Royal Trumpet Tremolo Tuba magna Tuba mirabilis Cor harmonique |
8' (double mouth) 8' 8' I-II 4' 2 2/3' 2' 1 3/5' 1' 8' (unenclosed) 16' 8' 4' |
From left to right: the console, pre-restoration; pipework (Diapason, Diaphone, Tibia); more pipework being racked (the slim Violin pipes and the Tibia pipes with their large, leathered mouths); the traps; and the theatre auditorium. Click on any picture for a larger version.
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